2024¬

CTIPE—reprise

This is a 2d visual map of the concentration of electrons in the ionosphere. “The plot illustrates the height integrated electron density (TECU, 1 TECU = 1.e16 electrons/square meter) also called Vertical Total Electron Content (VTEC), vs latitude (-90 to 90 deg) and longitude (0 – 360 deg) from the Coupled Thermosphere Ionosphere Plasmasphere Electrodynamics CTIPE—reprise

2023¬

UPDATE: CV and Autobiography

Hello. Been a while. Are you hiring? I’ve been reworking my CV over at luminome.com, a domain that’s been with me for a long time. I’m looking for new projects here in France and/or the US and I’m open to discover what you’re up to. I’ve been working specifically in the realm of data-modeling for UPDATE: CV and Autobiography

Code: Current Electron Forecast

A 3d model of the CTIPE TOTAL ELECTRON CONTENT FORECAST by NOAA and the NWS OPEN the project.(https:scottandrecampbell.com/static/ctipe) Dataset from www.swpc.noaa.gov. From the site: The plot illustrates the height integrated electron density (TECU, 1 TECU = 1.e16 electrons/square meter) also called Vertical Total Electron Content (VTEC), vs latitude (-90 to 90 deg) and longitude (0 Code: Current Electron Forecast

Code: Earth Model w/live Data

OPEN the project.(https://scottandrecampbell.com/static/space) https://github.com/luminome/three-sac-space

2022¬

Code: Adventures In Foam

https://scottandrecampbell.com/static/foams/index.html Modeling things with physical properties is challenging. Being computationally expensive (many calculations to run for each moment in time), there are hard limits to what can safely be modeled in a browser environment. This example has 1331 points which are shown as icosahedrons. The main behavior I’m modeling here is cohesion; adjacent points tend Code: Adventures In Foam

UPDATE

Hello. I thought it would be good to post something not project-related.I live in Marseille, France now. I’ve been here since October 2021 and I’m quickly making a habit of it.Since I arrived, I’ve been taking some time to learn new things in the world of programming and I’ve quickly remembered why I simultaneously love UPDATE

Code: Particles and Wind essay

https://scottandrecampbell.com/static/b/test.html Basic Vanilla JavaScript and Three.js test.The intention is to model the influence of a vector(wind) on a population of markers.In this example, a matrix of sectors is used to convey the force of the vector; the sectors form a shell that the the particles respond to in turn. Make sure to mess with the Code: Particles and Wind essay

2021¬

Code: Three.js Experiment (3)

https://scottandrecampbell.com/static/tool-7.html Programmatic/Dynamic mesh generation in threejs.

Code: Three.js Traversible Nodes

A long time ago I took a stab at making my own small js library for WebGL development. That taught me a ton but in this modern world, the people developing three.js vastly surpass in their time what you can roll on your own in yours. They made all the classes. I toyed with three.js Code: Three.js Traversible Nodes

Sagarmatha

40 x 60 in [101.6 x 152.4 cm]

Work on paper on panel Handbuilt cradle. 3.5in cradle depth. RESIST Exposition @soapboxartsvt 2021

Chime Cannon

35 x 50 in [88.9 x 127 cm]

Work on paper on panel Handbuilt cradle. 3.5in cradle depth. RESIST Exposition @soapboxartsvt 2021

Code/design: AEROSOL

https://scottandrecampbell.com/static/AEROSOL-6-15-e.svg This is an example of building a vanillaJS interactivity layer directly into a scalable-vector-graphics (SVG) file. The source SVG is a print built in Illustrator 2021. The interactivity is meant to create a fluid narrative that traverses the artwork at different scales. This is optimised for desktop. The functionality for moble events isn’t implemented Code/design: AEROSOL

Code: NodeTree SVG

In Spring of 2021, I started looking for ways to embed vanillaJS in scalable-vector-graphics files (SVGs) to make self-contained image based animations. The first use case I encountered was a client that was looking to “spice-up” some static background svg content. I stepped in after many attempts at using CSS DOM manipulation to create movement Code: NodeTree SVG

RESIST Exposition at Soapbox Arts

The RESIST exposition happened just after my work on the THREADING project. Here is the artist’s statement from RESIST: This work was made between mid-February and mid-April of 2021. I spent the previous year building a system that can draw mathematically programmed information (known as a Plotter). My intent was to open my access to RESIST Exposition at Soapbox Arts

THREADING Exposition at Soapbox Arts

An interminable hardware/software project that began with the lockdown (March 2020) and Finished around January 2021. Threading plotted(printed) a map of ionospheric excitation for 2 weeks. THE SYSTEM involved the design of computer software that controls a machine (robotic) to draw information. Details can be found in the following PDF file (4 pages): THREADING digest THREADING Exposition at Soapbox Arts

2020¬

Confinement Journal 1

40 x 30 in [101.6 x 76.2 cm]

Digital art print printed using a plotter and several iterations on drawing and collage on paper.

2019¬

Reel

50 x 48 in [127 x 121.92 cm]

Work on paper and paper collage on panel One of eight from most recent “Distribution” exhibit and represented by SoapBox Arts Gallery in Burlington, VT.[click link for gallery site]

Twin Cam

32 x 48 in [81.28 x 121.92 cm]

Work on paper and collage on panel Photo by SAC @scottandrecampbell

Artist Bio

Here’s a one page PDF file with some biographical information.

Submission Triptych (1/3)

61 x 192 in [154.94 x 487.68 cm]
4 panels.

Graphite, ink, acrylic paint, and hand printed collage on gessoed wood panel. Champlain College Art Gallery, Burlington, VT.

Submission Triptych (2/3)

61 x 192 in [154.94 x 487.68 cm]
4 panels.

Graphite, ink, acrylic paint, and hand printed collage on gessoed wood panel. Champlain College Art Gallery, Burlington, VT.

Submission Triptych (3/3)

61 x 192 in [154.94 x 487.68 cm]
4 panels.

Graphite, ink, acrylic paint, and hand printed collage on gessoed wood panel. Champlain College Art Gallery, Burlington, VT.

2018¬

Questionnaire Results

(aka: why I need a professional writer. aka: why I make visual art) Tell us a little about yourself and what it is that you create.. Spatial awareness has always been first nature for me. I enjoy travel, navigation, and the negotiations between physical self and space. The perception of any given thing in my Questionnaire Results

Gemini — 01 Distal

48 x 101 in [121.92 x 256.54 cm]
2 panels.

One of two sibling diptychs.  Handbuilt cradle with a 2.5 inch cradle depth.Element 6/7 from October “Aggregate” show at Champlain College Art Gallery @champlainarts. 

Gemini — 02 Network

48 x 101 in [121.92 x 256.54 cm]
2 panels.

Second one of two sibling diptychs.  Handbuilt cradle with a 2.5 inch cradle depth.Element 7/7 from October “Aggregate” show at Champlain College Art Gallery @champlainarts. 

Filial Piety

22 x 48 in [55.88 x 121.92 cm]

Strathmore drawing paper.Handbuilt cradle, 3.5 inch cradle depth.Element 2/7 from October “Aggregate” show at Champlain College Art Gallery @champlainarts.Photo by SAC @luminome

Thunder Sugar (Sucre D’orage)

18 x 36 in [45.72 x 91.44 cm]

Strathmore drawing paper on panel. Element 3/7 from October “Aggregate” show at Champlain College Art Gallery @champlainarts. Photo by SAC @luminome

Murmuration

25 x 48 in [63.5 x 121.92 cm]

2018 Murmuration Mixed media on screen print on panel 48 by 25 inches 3060USD Currently on display at The Karma Birdhouse Gallery Photo by Brendan J McInerney @brendanjoe

Arbitor

36 x 40 in [91.44 x 101.6 cm]

2018 Arbitor Mixed media on screen print on panel 40 by 36 inches 3400USD Currently on display at The Karma Birdhouse Gallery Photo by Brendan J McInerney @brendanjoe

Sudo Science — L’arche Extemporanée

48 x 32 in [121.92 x 81.28 cm]

2018 Sudo Science — L’arche Extemporanée Mixed media on screen print on panel 31.5 by 48 inches 3740USD Currently on display at The Karma Birdhouse Gallery Part of the A.Crothers private collection. Photo by Brendan J McInerney @brendanjoe  

Contronatura Diptych

32 x 99 in [81.28 x 251.46 cm]
2 panels.

2018 Contronatura Diptych Mixed media on screen print on panel Two panels, 48 by 32 inches each, 3 inch gap 7480USD Currently on display at The Karma Birdhouse Gallery Photo by Brendan J McInerney @brendanjoe

Lausanne

32 x 48 in [81.28 x 121.92 cm]

Work on screen print on panel DELIVERIES exposition at The Karma Birdhouse GalleryPhoto by Brendan J McInerney @brendanjoe

Laisse Toi Faire

21 x 60 in [53.34 x 152.4 cm]

  2018 “Laisse Toi Faire” Mixed media on paper on panel 60x21in This is a standalone piece which has been in progress since 2013 and is currently on display at RLPhoto Gallery in Burlington VT as part of a group exposition titled “Art Show Nº5”. It’s mixed media on paper laminated to wood panel with Laisse Toi Faire

Spring. Early

16 x 12 in [40.64 x 30.48 cm]

Verlicht monoprint series IIISix color silkscreen print on Mohawk soft white 60lb.

SAC physical materials list for analog artwork

Acrylic paint and mediums Gouache Watercolor paint Acrylic water-based spray paint Dry pigments Graphite Colored pencil Water-soluble colored pencil Ink (pen and/or well) Paper Tape (archival artists paper tape) Wood and hardware Screenprinting Collage Vinyl stenciling I’m not sure that calling this work “mixed-media” is the appropriate catchall name. I’ve been advised that mixed-media is SAC physical materials list for analog artwork

2017¬

Love Your Light Show

24 x 48 in [60.96 x 121.92 cm]

2017Love your light showWater based mixed media and collage on serigraph on wood panel. Matte surface.48 x 24 inches / 121.92 x 60.96 cm.

Verlicht — sun stares directly

22 x 40 in [55.88 x 101.6 cm]

2017 Scott André Campbell seven color silkscreen print (serigraph) very limited edition of 28 40×22” paper 36×18” image printed on FrenchPaper’s “Sweettooth” 110lb Cover prints are individually signed and numbered.  each print from the edition features a unique Quality Control stamp on the reverse side of the print. price includes shipping via USPS (priority, insured) Verlicht — sun stares directly

Sewing Pairs

24 x 49 in [60.96 x 124.46 cm]

2017Sewing Pairs — Silly kids, rabbit holes are for kicks.Mixed media on paper on panel, cradled.49 x 24 inches / 124.46 x 60.96 cm.

Verlicht Monoprint Work

Below are photographs of some of the monoprints made during the production process of the “Verlicht” edition. These prints were made between October and December of 2017. Some of these monoprints are for sale (links shown). More will be available as they’re curated. 

Stable

30 x 22 in [76.2 x 55.88 cm]

2017 Scott André Campbell four color silkscreen print (serigraph) very limited edition of 20 image is 14×23.5 printed on Rives BFK 22×30″ uncut, deckled edges, watermarked. digital vector source. 270.00 USD Edition sold out

Yes I Could

8 x 9 in [20.32 x 22.86 cm]

2017 Hand-printed silkscreen (4 colors) Very Limited Edition of 12 — Signed and Numbered Paper: Coventry Rag (Medium Texture / Vellum / Wove) 15×12.5” Image: 9×8” 80.00 USD Edition sold out

Bobbin

Bobbin

48 x 66 in [121.92 x 167.64 cm]

2017 Bobbin Mixed-Media on Wood-Panel, cradled. 66 x 48 inches / 167.64 x 121.92 cm.

2016¬

Auspice Triptych

12 x 36 in [30.48 x 91.44 cm]
3 panels.

2016Auspice TriptychMixed media on Arches paper3 parts, Approx 9x12in each

King Street Center Bus

108 x 250 in [274.32 x 635 cm]

Digital artwork printed on vinyl substrate (coated).Vehicle Art for King Street Youth Center, Burlington, VT.

2015¬

King Street Center Foyer

108 x 384 in [274.32 x 975.36 cm]

Digital artwork printed on vinyl substrate (coated).Wall Art for King Street Youth Center, Burlington, VT.Installed in foyer of recently renovated headquarters building.

2014¬

Manhattan Beach Office

87 x 288 in [220.98 x 731.52 cm]

Aperture7 1/4 x 24 feet. Laminated digital print (1/1) mounted to backlit lightbox wall.